Explore engravings and illustration of early Virginia Indians.

Through his 5,000-page personal memoir, Robert Knox Sneden takes us to the front lines of the Civil War.

Buttons and banners, ribbons and posters, coffee mugs and whiskey flasks, match books and mouse pads. For nearly 200 years, presidential candidates and their supporters have used almost every means available to attract votes.

By the end of the Civil War, most Americans considered either Robert E. Lee or Ulysses S. Grant to be a hero. The time has come for a reassessment of these two men, on whom fell the greatest responsibility for the survival or disintegration of the United States.

John Brown remains one of the most controversial figures in our history. To destroy the institution of slavery, he firmly believed there was only one possible course of action. He saw what he thought was the ultimate wrong and tried in the only way he could imagine to right it. Which John Brown should we remember? The crusader for abolition or the bloodthirsty terrorist? Is it possible to list him among the great pantheon of American heroes, or do we still recoil from the image of his attack on an American military installation, an action that can be described by no term other than treason?

In the colonial period, portraiture proved to be a particularly useful tool in establishing and preserving family status. This exhibit presents twenty-four portraits from the Virginia Historical Society's collection. Early Virginia portraits reveal much about the families that commissioned them, as well as how these Virginians valued how they were perceived by others.