Fresh Paint

Murals Inspired by the Story of Virginia

From
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Time Period
1925 to Today
Topics
Art & Architecture
Black History
Civil Rights
Civil War
Education
Geography & Environment
Politics & Government
Women's History

With over 100 murals, Richmond’s vibrant street art scene is a visual reminder of the city’s history, modernity, and diversity of cultures. This unprecedented exhibition explored the power of murals to encourage reflection on Virginia’s past by inviting artists to produce works inspired by one or more historical items from the museum’s collection, and in so doing examine our present and inspire us to think about ways we can shape the future.   

Artist commissions and exhibit support generously provided by Pam and Bill Royall. 

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Nico Cathcart

“Richmond is a public arts city. By putting this show together at the museum with its vast historical holdings, we are documenting a unique modern movement, while building on Virginia’s storied past. The show creates a new accessibility to a collection that is meaningful and expanding. The unique mix of younger artists with some of the more established faces of the mural community lends itself to a fun cross section of RVA right now.” - mural artist Nico Cathcart 

About the Mural Project 

This project, which launched in 2018, was more than a year in the making. It started with an idea for the book, The Story of Virginia: Highlights from the Virginia Museum of History and Culture, co-authored by Jamie O. Bosket, VMHC President and CEO, and Dr. William M. S. Rasmussen, VMHC Senior Curator of Exhibitions and Lora M. Robins Curator of Art. Published in October 2018, it illustrates 400+ objects from our collection that help tell the rich history of the Commonwealth. 

Our staff was inspired by how Richmond's street art community is telling the story of the city and state today. They wondered how these artists might interpret collection pieces and themes highlighted in the book. Thus, the Fresh Paint exhibition was born! Each artist was asked to develop a mural based on object(s) or theme(s) from the new book that they found particularly impactful. 

Associated Content: 

Multimedia Content

Fresh Paint Webinars: These webinars were hosted by VMHC Education in the spring of 2020 as part of the Virginia History At Home digital offerings while the museum was closed due to the COVID-19 pandemic. 

Live Painting in the Gallery: Hosted during the month leading up to the public opening and in conjunction with artoberVA, an annual celebration of arts and culture in Richmond and Tri-Cities area of Virginia, guests were able to watch the murals being created.  

Cocktails With The Artists: Fresh Paint Exhibit Opening: This sold-out event on October 26, 2018 featured the book launch for The Story of Virginia: Highlights from the Virginia Museum of History and Culture, drinks and hors d'oeuvres with the artists, a sneak peek at the exhibition, and a panel discussion with the artists. View event photos. View a video from the event. 

Murals of Richmond Artist Panel: This event in January 2019 featured a panel discussion with Virginia mural artists, moderated by artist, muralist, and writer Mickael Broth, followed by a book signing of Broth's book, Murals of Richmond. View a video of the discussion.

Color Our Collections: We created these coloring pages in honor of the Color Our Collections festival with fellow museums, libraries, archives, and other cultural institutions around the world. Download the coloring pages below and unleash your creativity, then share them with us on Facebook at @VirginiaHistory, Instagram at @VirginiaHistory, and Twitter at @VirginiaMuseum

The VMHC would like to thank all of the artists who submitted designs for Fresh Paint. Although the subjects of the murals may be provocative, all imagery and text in this exhibition is appropriate for a general audience that includes children and does not include profanity, nudity, or excessive violence. 

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A painting titled "Virginian Paint", 2018, by Nico Cathcart
Virginian Paint, 2018, by Nico Cathcart

Virginia designated the Northern Cardinal as the state bird in 1950, and the Dogwood as the state flower in 1918, and state tree in 1956. This image was painted during the Virginia Museum of History & Culture’s BrewHaHa Virginia Craft Beer Festival as a kick-off for Fresh Paint. 

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Bound by Hamilton Glass
Bound by Hamilton Glass

“As soon as I saw Charles Hoffbauer’s Confederate Memorial Military Murals, I decided to highlight the role of the United States Colored Troops in the Civil War. These black Union soldiers not only fought against Confederate soldiers—from whom they expected no quarter—but suffered distrust, discrimination, and even death, from their white allies. Although some blacks, both North and South, were classified as “free,” my work suggests that African Americans were engaged in a war where, even in victory, freedom would not be completely theirs.” - Hamilton Glass 

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The Readjusters by Noah Scalin
The Readjusters by Noah Scalin

“I became aware of the Readjuster Party during a visit to the museum and realized this nineteenth-century political movement was not included anywhere in my earlier education. I decided to replace the well-known Confederate officers in Charles Hoffbauer’s Confederate Memorial Military Murals with figures that I think we should focus more attention on. This piece contrasts the black struggle to achieve the rights of full citizenship with efforts by white Southerners to shape the narrative of Confederate defeat and regain political and social dominance after the Civil War.” - Noah Scalin

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A painting titled "Formed to Build" by Toobz Muir
Formed to Build by Toobz Muir

“Even the smallest objects can have great meaning. I was drawn to a 1.75-inch diameter brass disk on which are the words “Roanoke Navigation Company” and an image of two men guiding a boat filled with goods destined for points along the Roanoke, Dan, and Staunton rivers. I bring to this subject a perspective from my home in Roanoke, Virginia, and like the boatmen, am navigating a visual landscape to bring this interesting element of our history to today’s audiences.” - Toobz Muir 

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A painting titled "Home" by Amelia Blair Langford
Home by Amelia Blair Langford

"Home is inspired by the work of John White, who joined a 1585 expedition to North Carolina—then called Virginia—to “drawe to life” the area’s natural bounty and inhabitants. His watercolors of the fish, birds, insects, reptiles, and other animals in the region encouraged English settlement of the New World. Virginia has always been my homestead and ecological treasure. Through black and white design, I’ve chosen to explore the history of Virginia's agriculture and ecosystems and how they intertwine within our coexisting daytime and nocturnal landscape.” - Amelia Blair Langford 

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A painting titled "Higgle & Company" by Chris Milk Hulburt
Higgle & Company by Chris Milk Hulburt

“Higgle Milk Hulburt came to Virginia, it is thought, from somewhere cold and beautiful, probably Norway. He imagined farming the land and raising, like, thirteen children. Then he found pottery, or rather, he learned how to make beautiful, blue-glazed stoneware. He became an artist, and made a modest living selling his wares by the side of the road, from his converted Conestoga wagon. It is said he was rarely seen without his faithful friend, “Happily,” a bright red Cardinal. He found true happiness in his beloved wife, Hennie, and in their thirteen daughters, all named Hennie.” - Chris Milk Hulburt 

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A painting titled "In Search of Monsters to Destroy" by Mickael Broth
In Search of Monsters to Destroy by Mickael Broth

“As an avid fan of World War I history, I was thrilled to explore the museum’s exhibitions focusing on the war and its effect on the world. Though the Great War is not regularly a topic of discussion in popular culture, its lasting impact can be seen every day. My piece focuses on the repercussions of the decision to join the war effort; a decision that weighed heavily on the mind of Woodrow Wilson, the last American president born in Virginia.” - Mickael Broth 

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A painting titled "By Any Means" by Austin MIles
By Any Means by Austin MIles

“My design is inspired by two American women of African descent, Mary Smith Peake and Barbra Rose Johns. In 1861, when the Union army occupied Hampton, Peake began teaching former slaves seeking freedom on what are now the grounds of Hampton University. Nearly a century later, Johns led a student walkout to protest unequal conditions in Farmville’s segregated public schools. This mural focuses on how black women used and pursued education as a tool to emancipate themselves and others from physical and mental enslavement.” - Austin Miles 

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A painting titled "Gateway" by Wing Chow
Gateway by Wing Chow

“Geologists can only hypothesize as to how Natural Bridge was created, but they estimate the rocks to be 470 million years old. By comparison, Homo sapiens have only existed for about 200,000 years, and the average human does not even live to see 100. Beyond the history of Virginia, the bridge alludes to the history of the planet itself, and to the questions we cannot answer. I paint the bridge as a portal into another realm—a symbolic representation of how mere rock can cause a shift in consciousness.” - Wing Chow 

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A painting titled "Still Relevant" by Ed Trask
Still Relevant by Ed Trask

“George Washington (profile at right) produced a quality rye whiskey that is being made today, and when a tax was levied on distilled liquors in 1791, a rebellion threatened our new nation. Well into the 20th century, government revenuers (at right) tried to stop the moonshining. Souped-up cars driven by bootleggers like Willie Carter Sharpe (profile at left) gave rise to NASCAR. Remarkably, today the mention of “moonshine” elicits images of both barefoot, toothless individuals and hip boutique distillers.” - Ed Trask 

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A painting titled "The Elements of Change" by Nico Cathcart
The Elements of Change by Nico Cathcart

“I chose to work around a central theme of women as agents of social change. From left to right are suffragist Adele Clark; former slave Elizabeth Keckley; and women’s rights activist Casey Dokoupil. I render them in black and white to convey the timelessness of a woman's strength. The juxtaposition of these women against the full-color flowers presents these characters as women who are no longer to be seen as decoration, or as objects, but as elements of change in Virginia and beyond.” - Nico Cathcart

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Ed Trask works on a mural.
Ed Trask works on a mural.
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A mural by Amelia Blair Langford at Richmond's Triple Crossing Brewery.
A mural by Amelia Blair Langford at Richmond's Triple Crossing Brewery.
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Excerpt of a mural in Richmond's Carytown district by Chris Milk Hulburt.
Excerpt of a mural in Richmond's Carytown district by Chris Milk Hulburt.
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The mural "Ponder" by Austin Miles.
The mural "Ponder" by Austin Miles.
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The mural "Emrick Flats" by Hamilton Glass in Richmond's Jackson Ward neighborhood.
The mural "Emrick Flats" by Hamilton Glass in Richmond's Jackson Ward neighborhood.
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Toobz Muir works on a mural.
Toobz Muir works on a mural.
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Mickael Broth sketches out plans for a mural project.
Mickael Broth sketches out plans for a mural project.
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"Portrait of Innovation: Sister Rosetta Tharpe" created by Noah Scalin for the 2018 Greengate Festival in Short Pump
"Portrait of Innovation: Sister Rosetta Tharpe" created by Noah Scalin for the 2018 Greengate Festival in Short Pump
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A mural by Nico Cathcart on the side of Richmond's Vitality Float Spa.
A mural by Nico Cathcart on the side of Richmond's Vitality Float Spa.