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Exhibition
PRAISE YOUR MOTHER / AMA A LA MAMÁ – InLight 2020
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![PRAISE YOUR MOTHER / AMA A LA MAMÁ installation The VMHC building at night with PRAISE YOUR MOTHER / AMA A LA MAMÁ neon sign installation](/sites/default/files/styles/fp_landscape_768x576/public/2020-inLight-VMHC_002.jpg.webp?itok=BskM8hO0)
The VMHC was excited to be a host location in November 2020 for the art installation, PRAISE YOUR MOTHER / AMA A LA MAMÁ...
Exhibition
The Commonwealth and the Great War
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![WWI tanks Black & White photo of a row of tanks in front of a building circa 1912-1914](/sites/default/files/styles/fp_landscape_768x576/public/2001.230.1912-1914_1914_v1_1920x1440.jpg.webp?itok=2JmcFkDT)
This exhibition explored the role Virginians played in World War I and highlighted the stories of individual Virginians...
Exhibition
The League of Wives
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![POW152_Scan.jpg POW152_Scan.jpg](/sites/default/files/styles/fp_landscape_768x576/public/POW152_Scan.jpg.webp?itok=BW9_Wuds)
Featuring artifacts, photographs, and oral histories, this exhibition illustrated the dramatic story of how the spouses...
Article Set - Intro
The Portent: John Brown's Raid in American Memory
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![PIPPIN_John Brown Going to His Hanging.jpg PIPPIN_John Brown Going to His Hanging.jpg](/sites/default/files/styles/fp_landscape_768x576/public/PIPPIN_John%20Brown%20Going%20to%20His%20Hanging.jpg.webp?itok=ZyxhIwHl)
John Brown remains one of the most controversial figures in our history. To destroy the institution of slavery, he firmly believed there was only one possible course of action. He saw what he thought was the ultimate wrong and tried in the only way he could imagine to right it. Which John Brown should we remember? The crusader for abolition or the bloodthirsty terrorist? Is it possible to list him among the great pantheon of American heroes, or do we still recoil from the image of his attack on an American military installation, an action that can be described by no term other than treason?
Exhibition
The Virginia Watercolor Society’s 41st Annual Exhibition
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![Watercolor Society Texture.jpg Watercolor Society Texture.jpg](/sites/default/files/styles/fp_landscape_768x576/public/Watercolor%20Society%20Texture.jpg.webp?itok=K8NCsNUP)
The VMHC hosted the 41st annual juried exhibition of the Virginia Watercolor Society (VWS) featuring more than 80...
Exhibition
Violins of Hope
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![Photograph of violin-maker Moshe Weinstein and his wife Zehava (Courtesy of Amnon and Avshalom Weinstein) Photograph of violin-maker Moshe Weinstein and his wife Zehava (Courtesy of Amnon and Avshalom Weinstein)](/sites/default/files/styles/fp_landscape_768x576/public/Violins%20of%20Hope_Violin%20Makers.jpg.webp?itok=228i1oOI)
Violins of Hope features a selection of seven violins from a collection of more than sixty that survived the Holocaust...
Article Set - Intro
Virginia House
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![Visit_VirginiaHouse_Landing.jpg Visit_VirginiaHouse_Landing.jpg](/sites/default/files/styles/fp_landscape_768x576/public/Visit_VirginiaHouse_Landing.jpg.webp?itok=jArJv7-a)
Formerly an English manor house, Virginia House was relocated to Richmond in 1925.
Article Set - Intro
Virginia's Colonial Dynasties
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![VHE_Dynasties_MaryWillingByrd.1996.174.1.jpg VHE_Dynasties_MaryWillingByrd.1996.174.1.jpg](/sites/default/files/styles/fp_landscape_768x576/public/VHE_Dynasties_MaryWillingByrd.1996.174.1.jpg.webp?itok=azbFZvpP)
In the colonial period, portraiture proved to be a particularly useful tool in establishing and preserving family status. This exhibit presents twenty-four portraits from the Virginia Historical Society's collection. Early Virginia portraits reveal much about the families that commissioned them, as well as how these Virginians valued how they were perceived by others.