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Exhibition
A Better Life for Their Children
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From 1912-37, the Rosenwald schools program built thousands of schools, shops, and teacher’s homes across 15 Southern...
Exhibition
Agents of Change
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Organized in conjunction with the statewide Women’s Suffrage Centennial, this exhibition featured artifacts from the...
Exhibition
Determined
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This exhibition examined the long history of black Americans in North America as they have fought for freedom, equal...
Article Set - Intro
Getting the Message Out: Presidential Campaign Memorabilia from the Collection of Allen A. Frey
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Buttons and banners, ribbons and posters, coffee mugs and whiskey flasks, match books and mouse pads. For nearly 200 years, presidential candidates and their supporters have used almost every means available to attract votes.
Exhibition
Inside Looking Out
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The first exhibition of its kind in that it displays nearly all of artist Queena Stovall’s work in one place, this...
Article Set - Intro
Lee and Grant
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By the end of the Civil War, most Americans considered either Robert E. Lee or Ulysses S. Grant to be a hero. The time has come for a reassessment of these two men, on whom fell the greatest responsibility for the survival or disintegration of the United States.
Exhibition
Mending Walls RVA
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This pop-up exhibition and community collaboration featured a diverse group of artists creating public artwork as a tool...
Exhibition
The Commonwealth and the Great War
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This exhibition explored the role Virginians played in World War I and highlighted the stories of individual Virginians...
Article Set - Intro
The Portent: John Brown's Raid in American Memory
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John Brown remains one of the most controversial figures in our history. To destroy the institution of slavery, he firmly believed there was only one possible course of action. He saw what he thought was the ultimate wrong and tried in the only way he could imagine to right it. Which John Brown should we remember? The crusader for abolition or the bloodthirsty terrorist? Is it possible to list him among the great pantheon of American heroes, or do we still recoil from the image of his attack on an American military installation, an action that can be described by no term other than treason?